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Article 15 (2019) Full Movie Article 15 (2019) Movie Review  It is hauntingly shot by Ewan Mulligan, who slides through the shadows to zero ...

Article 15 (2019) Full Movie


Article 15 (2019) Movie Review 

It is hauntingly shot by Ewan Mulligan, who slides through the shadows to zero in on acute specifics: the breakfast prepared before the murder, the everyday banality of a crime scene, and — most unforgettably — a man cleaning a filthy black drain. He cleans our world because we won’t do it ourselves. As policemen plod through a marsh, Ranjan asks about politics, and the men good-humouredly state why they vote for the Elephant one year and the Cycle the next, and for the parties, their mothers told them to always vote for. Rebels use Whatsapp, while cops keep tabs on activism by seeing what messages are being forwarded. The filmmakers cannily use texting to educate the leading man, the messages from his level-headed wife becoming the voice in his head. We do not need a hero, she insists. We just need people to stop waiting for a hero.

Ayushmann Khurrana plays Ranjan with inevitable entitlement. His elitist indignation while barking orders gets things done, but also distances him from the policemen answering to him. In one remarkable scene he matter-of-factly asks the cops about their places — and his own, for he is privileged enough not to know — in the caste hierarchy, and the distinctions between caste-and-Kayastha are maddening. One of them says he is a Jaat, and was ‘normal,’ but has now been granted Other Backward Class status, while Jaats in other states have not. This is illegal. Ranjan asking them their caste, I mean. Not the division, but the pronouncement of it.

Khurrana is spot-on, consistently harrowed and, building on the everyman baggage of his earlier films, immensely relatable. He eschews showiness to stay true to the part, a protagonist who is aware he will be looked on as an upper-caste savior, aware that it isn’t his role.

inha surrounds him with a superb ensemble. Manoj Pahwa is frighteningly good as a higher-caste cop. Berating a junior, he clenches his teeth so hard it feels like he doesn’t trust himself to open his mouth, for fear of biting someone of a lower status. Top performances come also from Sushil Pandey as a lowly policeman who seems like the nicest bloody guy; Kumud Mishra as the son of a sweeper who is now a policeman (yet relentlessly reminded of his background); and Sayani Gupta as sister to one of the missing girls, her gigantic plaintive eyes an indictment of India itself.
The mercurial Mohammad Zeeshan Ayyub plays a revolutionary, a rebel who can’t afford to lose hope because he has become a face of it. He gets the film’s most memorable lines, achingly confessing how he has been so romanticized that he is left without romance. With the horrors around, it felt criminal for him to smile at a girl he loves. In the land that allows Us and Them, all pleasure feels guilty.
What do you do when the system is the bad guy? There are no revelations here. We’ve read about such cases, we’ve sighed about these horrors. 




Article 15 (2019) in Hindi 480p


Article 15 (2019) in Hindi 480p

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